Welcome, Drabblecast Listeners!

It’s the last month of fundraising and the results so far have remained astonishing. We’re double the initial fundraising goal to print the first run of the game. Pre-orders continue apace and all pledges help defray the costs of sending free games to libraries and schools. To help with the effort, we’re bringing out the big guys.

All this month, the fantastic weekly short fiction podcast The Drabblecast will be promoting Happy Birthday, Robot! The Drabblecast brings excellent audio short fiction, music and many other auditory delights each week.

On episode 161, you can hear master storyteller and audiowizard Norm Sherman’s excellent reading the “Switcheroo Machine” story. Here’s a link to the episode. You can comment on the episode on the Drabblecast forums.

Stay tuned for further Robotic fun from the whole Drabblecast crew!

We met the goal in 24 hours!

I want to thank all the backers who pledged their financial support to this game with such enthusiasm. I obviously over-shot that deadline or under-shot the $ goal, but either way we won!

Thanks to popular demand (and because the deadline was set 70 days from now) I’m making two special offers:

* Any further $10 pledges are pre-orders for the full-color PDF and black-and-white printer-friendly PDF.

* Any further $30 pledges are pre-orders for the PDF+Print bundle. (Not signed/numbered, but still hardcover full-color books.) That covers your shipping and handling, even if you’re outside the U.S. (Feel free to chip in extra if you want to cover those extra costs, though.)

Thank you, thank you, thank you!

Happy Birthday, Robot! in the classroom


Those are actual kids in the classroom playing Happy Birthday, Robot! Innumerable thanks go to Cassie Krause for running the game for her class. They were split up into groups so they could play on their own. Teacher’s comments:

“One of the girls that was playing is far below grade level in all subject areas, and she did a GREAT job of participating and writing the sentences.* She has actually begged me all week to play.* She felt success in this writing activity, which is something that she doesn’t feel very often during writing time, because she struggles to correctly articulate her words. However, with the idea of not having to write a complete sentence, because someone else could help finish it, it motivated her to write the best she could.

“[…]My principal was asking me about HBR, because he saw the story on my board.* He knows that I’m a gaming nerd, and likes to give me a hard time about it.* I showed him the dice, and the PDF to read through.* He said that this was amazing, and wondered what would happen if we put in some of the other conjunctions as well.* Have some dice that have “and” and “but”, however, also have dice that say “or” and “yet.”* It would give the kids exposure to using the other conjunctions as well to the main “and” and “but”* Needless to say, he was really impressed with the whole thing!”

A game that helps kids with learning disabilities AND turns school principals into game designers? Rock. 😀

Here are the stories they came up with.

~~~~

Happy Birthday Robot!

Robot was very happy but his friends were not.
Robot went to his friend’s house and he got lost.
Robot was scared because he didn’t have a way to get home.
He tried to call the police, but the police didn’t show.
Robot went to the nearest store, The Oil Shop.
His parent’s were there looking for him all day.
Robot’s mom and dad were happy and they said he could never leave.
Before he left his mom and dad said, “Happy Birthday Robot!”
And they sang him “Happy Birthday!”

Written by Mark, Jordin, and Derrion

~~~~

Happy Birthday Robot!

Robot went out to eat at his favorite restaurant and had fun there.
The Robot and his friends went to the park and then we wanted to go home.
Then Robot wrote about his day in his journal, then Robot took a nap.
The next day it was his birthday, he had a surprise party.
And they had lot and lots of food.
Last, he opened his presents with lots of job.
Then Robot and his family and friends watched him, play with his things.
Robot had lots of fun.

Written by Ashaiana, Keyonna, and Nesha

~~~~

I want to send free and discounted copies of the game to schools like this one. Pre-orders of the PDF or Print+PDF bundle help make that happen. Thank you so much for all the help you’ve pledged, backers. Keep spreading the word. 🙂

Pebble Rebel

Pebble Rebel
Pebble Rebel is a strategy game for two players. Each player has different goals and different ways of playing, but still get in each other’s way.

» Thanks to Pete Figtree for coming up with the title!
» Original art source: Memo Angeles, Black Rhino Illustration and ensiferum

Setup
You need four sets of colored stones, fifteen stones in each set. Keep these stones in a bag or bowl nearby. The game board is a 6×6 grid. Arrange twelve stones on the board as shown below.

Turn Order
Two players take turns. One player is called Pebble. The other player is called Rebel. Pebble takes the first turn.

The Pebble
On her turn, she may move a stone on the board in straight horizontal or vertical lines as many times as she wishes to until the stone reaches its final destination. She may not pass through any occupied spaces along the way. Diagonal movement is also not allowed.

In the example above, Pebble moves the black stone down, then left. She is trying to build a line of black stones along the bottom of the board.

The Rebel
On his turn, he randomly draws a number of stones equal to the number of moves Pebble took. Then he places those stones on any unoccupied square.

In the example above, Rebel draws two stones because Pebble moved a stone twice. He then places those stones on the board. He chooses these spaces in particular to block Pebble’s efforts.

Victory
If Pebble gets four stones of the same color in a row, horizontally or vertically, she wins. (Diagonal four-in-a-row does not count.)
If Rebel fills up the whole board, he wins.

The above example shows how Pebble or Rebel could win.

In the example on the left, Pebble succeeded in creating a four-in-a-row, thus winning the game.

In the example on the right, Rebel successfully filled up the board before Pebble could get four-in-a-row, thus winning the game.

Gameplay
Pebble’s play style suits fans of puzzle games with randomized elements, like Tetris or Bejeweled, but against a much more clever computer. Pebble has to be sneaky, arranging a four-in-a-row using as few moves as possible.

Playing Rebel is great for button-mashers, “take that” players, and those who just choose tactics on a whim. Still, Rebel must be wary of placing stones where they might easily be used by Pebble.

Before the board fills up, there will probably be an obvious “checkmate” situation, in which it is clear Pebble cannot create four-in-a-row. 

[Do] “Once Upon a Time”

This is a letter for use in playing Do: Pilgrims of the Flying Temple.

Once upon a time, there was a kingdom terrorized by a giant silver rat. The silver rat could travel faster even than bad news and gossip, and would flicker from one end of the kingdom to another; grabbing food from the people’s hands and mouths and gulping it down before they could swallow even a crumb. Everyone was soon faint from hunger, even the childless old king and his nobles. So the king made an announcement: anyone who could slay the rat would be adopted as his son and heir, and rule the kingdom when he was gone.

Many heroes came to slay the rat, but they all failed, and the rat swallowed them all down (“Snap! Gulp!”). The kingdom was starving and all hope seemed gone when the most unlikely of heroes walked into the palace. It was a calico cat, and she wore tall boots and a three cornered hat all of red leather, and at her side was the Sword of Swiftness.

The battle between the cat and the rat was terrible! Back and forth across the kingdom they fought, until at last the silver rat was exhausted and turned to flee. But the cat slew the rat, and cut off his head and took it before the king. And there, amidst great feasting, the king adopted the cat. And then, in the fullness of time, the old king died and the cat put aside her three-cornered hat of red leather for the crown of the kingdom. And the people, remembering the rat, cheered.

But the cat remained a cat, and soon found she had no desire to rule a kingdom.

However, unknown to the cat, the crown of that kingdom was magic and could only be put down at death or by the will of the people. And the people loved her for saving them from the rat. Then one day the cat had a wonderful idea! She would write to the monks of The Flying Temple, and they would send pilgrims to free her from her burden. So she wrote them a message, and tied it with ribbons in three different colors, and threw it over her shoulder at sunset.

The End

Goal Word
Cat
cat
cat
crown
crown
crown
nobles
nobles
“calico cat”
“calico cat”
“childless old king”
kingdom
kingdom
“Sword of Swiftness”
“Sword of Swiftness”
“silver rat”
“silver rat”
“silver rat”
“son and heir”
“three-cornered hat of red leather”

Marc’s [Happy Birthday, Robot!] session at GenCon

Marc ran Happy Birthday, Robot! for Games On-Demand at GenCon 2010. Games On-Demand is a great space if you’re looking for a GM to run an indie game you’re thinking about buying (or just playing your favorite game with a new group). Many thanks to Marc for running HBR and to Scott Acker for organizing Games On-Demand.

The Leftovers in “The Pit”


Here’s a new map for The Leftovers! The Pit is a relatively easy dungeon to get through in that it’s small. However, that means the danger words and items are packed in tighter together, so it’ll take a deft wit to work them into halfway coherent sentences. Test the limits of your olfactory senses against The Pit!

» Download: The Leftovers in “The Pit”

[Do] “Worlds Collide”

This is a letter for use in playing Do: Pilgrims of the Flying Temple.

To the Monks of the Temple in the Center of the Sky,

My deepest apologies for this letter, but our need is great.

I am Yotta, assistant to the Great Sages of Juku, may the sun grace them always. Our beautiful desert world is home to many fierce and colorful tribes, who have made their homes in the vast sandy wastes that cover our planet.

The Great Sages have long observed the sweep of the planets through the sky. We have always been near to the water planet of Ishita; indeed, this is whence comes our rain, on the rare occasion that rain falls on Juku. Our worlds grow closer and farther apart as the gravities of other worlds exert their influence.

Recently Ishita’s orbit has become disturbed by the influence of the massive world Rova. The Great Sages, may their words uplift us all, have calculated that Rova will pull Ishita directly into us on its next pass. Ishita’s coming will be a deluge the likes of which our arid clime has never known, to say nothing of the Phloerals who live on Ishita. However, the Great Sages, whose wisdom sparkles like the sands, say that the orbits of the worlds are the Will of Nature and command us not to interfere. They seek to teach us the meaning and power of acceptance.

I write this letter of my own, against the wishes of the Great Sages. We do not know where to turn. Even if it were allowed, we have no means to shift an entire planet from its course. Our way of life faces an utter upheaval that I cannot bring myself to accept. Please, we need your help.

–Yotta, assistant to the Great Sages

Goal Words
orbit
deluge
flood
gravity
Rova
Shift
Ishita
Ishita
Phloerals
Phloerals
Yotta
Yotta
Yotta
“Desert Planet”
“Great Sages of Juku”
“Great Sages of Juku”
“Water Planet”
“Water Planet”
“Water Planet”
“Will of Nature”

Design Diary: “New” starts, but does not finish. [Part 1]

Had a funny little moment yesterday. Might be useful to elaborate a bit as a part of a larger discussion of game design specifically and getting things done in general.

I am writing the next draft of Do: Pilgrims of the Flying Temple based on edits from Ryan Macklin. As a part of this process, I built up a lot of new Actual Play reports by playing several concurrent games on Skype. Since then, I’ve also kept in contact with those players asking for any advice that might make it into sidebars or addenda of the published game.

It was in that discussion that Mark Sherry, he of the genius mathematical brain that has helped me through many hair-brained game ideas, came up with a new idea for Do‘s procedure.

Some background. In the present rules, an overview of which you can see here, the color of stones you keep does not have an affect in the short term. Only the number of stones you keep matters. The color has an impact at the end of the game and at the end of a series of games, when your accumulated choices flavor how that ending plays out.

Some more background. The email list was discussing some tips on how to choose a good pilgrim name. This advice generally revolved around avoiding a situation where your name is too limited in its possible interpretations. When you describe Pilgrim Rolling Fist as solving problems with his fists, then he’s probably not going to help people with his charming smile. However, if he helps people by defending against injustice, well, that opens many other narrative opportunities.

So, Mark’s idea. Make color of stones matter in the short-term and allow both words in your pilgrim’s name to be used as metaphors for getting into trouble and helping people. Then, when you choose light or dark stones, you are deciding whether it is the Banner that is helping people and the Avatar getting you in trouble or vice versa. An interesting side effect of this is that at the end of the game, you can make it so that the word that got your pilgrim into trouble the most is what ends up changing. Your pilgrim learned from her mistakes and grows up from the experience.

This is a provocative idea and tempted me greatly. Let’s see how it turned out in tomorrow’s post.

New Sketches from Rin Aiello!

Rin sent a ton of new first drafts for the next batch of Happy Birthday, Robot! illustrations.
You can pre-order a PDF or Print+PDF bundle here. New pledges also allow more free books to be sent to Kids Need To Game, a charity encouraging more gaming among kids in 1st through 9th grade. Here’s that URL once again:

http://www.kickstarter.com/projects/danielsolis/happy-birthday-robot

(If you want to see more of Rin’s artwork, visit http://www.rinaiello.com/)

SageFight live on-stage! (Also, free logos!)

Kevin Weiser and Nora Last are living up to Rule #1 of SageFight by demonstrating the game live, on-stage at open mic night.

Oh, did you know you could get vector EPS and transparent PNGs of the SageFight logos for your personal use? Get them all here.

» Download: SageFight-Logos.zip

Embargo

I designed Embargo in 2006, inspired by a two-player kind of Chinese Checkers called Halma. The rules below are from an adaptation you can play online at ItsYourTurn.com.

For simplicity’s sake, this is a two-player version. You can play with up to four players, too, each player taking control of one of the four corners. You can play this on a regular chess board with generic tokens moving along the lines and vertices of the grid.

Object:
The object of Embargo is similar to Chinese Checkers: move all your pieces from your “yard” (the spots where your pieces start) to your opponent’s “yard”. Your yard is the light-colored section of the board where your pieces are initially placed.

Setup:
The pieces are initially set up on opposite corners on a 9×9 board. The screen shot below shows the starting position for Embargo:

Movement:
Pieces move along straight lines for any number of empty spaces, like chess rooks.

Pieces cannot move through Walls (see the “wall” section below), except when Tunneling (see the “tunneling” section below).

Walls:
When two pieces of the same color line up in a straight line, one or more walls can form. Pieces cannot move through walls of either color, except when tunneling. In other words, a wall blocks pieces of both colors from moving across it.

The position above shows walls formed by both players.

The red dots in picture above shows the legal moves for the circled green piece. The red X shows where the green piece hits a wall, and thus cannot move onto that square or beyond it. Also, if the green piece were to move to either side, it would either extend or shorten the wall that’s attached to it.

When you have a move that either SHORTENS or EXTENDS your own wall, those moves are legal. (See example below.)


   
The picture on the far left shows the beginning position of the board, before any moves are made. The middle picture shows an example of a move EXTENDING a wall. The right-hand picture shows an example of a move SHORTENING a wall, which is legal.

Tunneling:
When you make a move that SHORTENS a wall and goes through a perpendicular wall at the same time, that move is legal and is called TUNNELING. It just means that you have moved your piece through a perpendicular wall as you shorten your own wall at the same time. (See example below).

When you tunnel, you can also choose to “bust” a wall, by landing in between two pieces that form a wall. The example below also shows a “wall busting” move being made.

       

The picture on the far left shows the piece chosen to do the tunneling. In the middle picture, the green piece has TUNNELED through the orange wall, to emerge on the other side of the orange wall. Green is able to do this because this is a move that shortens the green wall. In the right-hand picture, The green piece has landed IN BETWEEN the two orange pieces forming a wall, and has BUSTED the wall. The two red X’s show where the orange wall used to be.

This move can only be made when you are shortening a wall. If the green piece had not been part of a green wall, it would not be able to move through the orange wall like it did above.

The 25 move rule:
If you have a piece left in your yard on or after the 25th move, then you automatically lose the game. Make sure all your pieces are out of your yard by the 25th move of the game.

Winning the game:
You win the game when all your pieces are in the enemy yard.

Key strategic point:
You always want to make sure that you have at least one piece deep in enemy territory very early in the game. You can then use this piece as an anchor to pull your other pieces through the tunnel to the enemy yard. If you neglect to put a piece in enemy territory, it’s quite possible that your opponent can build an impenetrable wall across the middle of the board that you can’t cross.

[Do] What Remains of Character Creation

Just sent the first three chapters of Do: Pilgrims of the Flying Temple to editing. If you’ve followed the development of this game over the years, you’ll notice the biggest change is that there is no character creation. Well, at least not in the form that it once was.

At first, I was trying to emulate the “tutorial” process in Dogs in the Vineyard. Later, I added the relationships from Spirit of the Century. What followed was a very fun process, but one that was rather different from how the game actually played. Also, because I couldn’t find much time to playtest, those precious first hours were occupied with character creation and not the game itself.

I came to terms with the fact that the Do I want to design is a storytelling game, not a role-playing game. I hate disappointing people who hoped for an RPG, but that’s just not where I have fun designing.

So, I am taking all the “tutorial” advice from character creation and putting it elsewhere in the book, mostly in the Example of Play chapter. They’ll be sidebars, commenting on the choices players are making in the running example.

As for the character creation process itself, that will be its own game with a different skin. The basic procedures will be the same, but with a new theme. For more on that, look for posts about Galaxy Camp in coming weeks. Actually, it may not even be called a game. More of an activity. Semantics. 😛

What character creation remains in Do? For now, it’s just creating your pilgrim’s name and interpreting what it means. It is not its own chapter. Rather, it is simply part of the steps of preparing for the game, right along side gathering pencils and paper:

Creating a Pilgrim
To create your pilgrim, you will write a sentence about her on a slip of paper called the Passport. Creating your pilgrim is simply a matter of filling in the blanks in this sentence:

Pilgrim (Banner) (Avatar) gets in trouble by _______ and helps people by______.

This sentence describes everything you need to know to get started. Her history can be developed as you tell your story. For now the most important thing is to decide her pilgrim name and what it means.

Step 1: Choose your pilgrim’s Avatar.
Write a noun in the second space of the sentence. The easiest way to pick your pilgrim’s Avatar is to name an object in the room you’re in.

For example: Ryan looks around the room and sees a window. He writes, “Window” in the second space of the sentence.

Step 2: Choose your pilgrim’s Banner.
Write an adjective in the first space of the sentence. The easiest way to pick your pilgrim’s Banner is to describe the previously chosen object in one word.

For example: The window looks cloudy to Ryan, so he writes, “Cloudy” in the first space of the sentence.

Step 3: Describe how your pilgrim gets in trouble.
Using your pilgrim’s banner as inspiration, describe how she gets in trouble. Her banner is a metaphor for some personality quirk or recurring stroke of bad luck that leads her to trouble.

For example: Ryan interprets “Cloudy” to mean that his pilgrim is prone to daydreaming. She is often distracted by flights of fancy. He writes, “daydreaming on the job” in the third space of the sentence.

Step 4: Describe how your pilgrim helps people.
Using your pilgrim’s avatar as inspiration, describe how she helps people. Her avatar is a metaphor for the skills, tools or other abilities that let her help people, including her friends and herself.

For example: Ryan interprets “Window” as an opening in an otherwise solid wall. Using this as a metaphor, he writes, “creating windows of opportunity” in the fourth space of the sentence.

There are also some example pilgrims to choose from, that would look something like these contributions. And that’s it. Hopefully people who enjoyed the former character creation system will still enjoy playing its new incarnation as Galaxy Camp. Meanwhile, Do: Pilgrims of the Flying Temple can fly or fall on its own terms as its own game.

Update: Dang, a bunch of pop culture pilgrims over here.

88 Copies of “Happy Birthday, Robot!”


That’s what 88 copies of HBR looks like, yup. So, I’m going to be personally signing and numbering and mailing several of these babies to some generous backers. I’ll be emailing you shortly (like, in a few minutes) asking for your shipping address.

(Those of you who ordered a book without my rambling scribbles, I’ll need your shipping addresses, too.)

Talk to ya soon!

Art Roundup


Quick mockup of the cover, using one of Rin Aiello’s illustrations. What do you think? Too much panda?

Here’s some more art from Rin Aiello!

Pre-orderers, you should expect your PDFs early this week!

[Do] Letters to Heaven


This is an introduction to letters in Do: Pilgrims of the Flying Temple.

Whenever there is a problem that can’t be solved, a worldly person can call in the Pilgrims of the Flying Temple to help. Each letter describes the situation on this world, any relevant characters and a bit of back story to give some context. Your Pilgrims visit this world and help solve the problem as they see fit, hoping not to cause trouble in the process.

Instead of a giant infodump, you can choose which parts of the setting you find important. You do this by choosing the letters that your Pilgrims will answer. You only respond to the letters you find interesting.

Letter-writers are unreliable narrators.

Each letter reflects the letter-writer’s particular, sometimes skewed worldview. Some overestimate how much a Pilgrim can accomplish, thinking them to be angelic beings of divine omnipotence. Imagine their disappointment.

Pilgrims try to abide by local beliefs. If the letter-writer believes the universe is an inky void and Pilgrims are aliens, a Pilgrim will act the part if it makes her job easier. If she’s on a world where people don’t like the temple meddling, a Pilgrim won’t mention it.

On a more personal scale, a letter-writer’s description of her problem comes from her side of the story. When a Pilgrim arrives on this world, she knows she only has half the story and will keep an open mind to any other viewpoints. 

Still, there’s a limit to every Pilgrim’s pragmatism. Faced with prejudice or injustice, you get pilgrims teaching small town bigots a lesson through the judicious application of kung fu dinosaurs. Depending on the scope and mood of your stories, kung fu dinosaurs might cause more problems than they solve.

So, when in Rome, just put on a toga.

Letters are story seeds.
This chapter presents letters written by people from around the universe. (Actually, they’re written by real people who were kind enough to contribute their creativity to this game.)

Each letter offers you a fruitful beginning for a fun adventure and plenty of opportunities for your Pilgrims to get into trouble. By picking a letter, you decide how a story will begin, but neither you nor the other players knows how the story will end. You will have a letter written by someone on a distant world asking for help, but that only sets the stage for your adventures there.

From that starting point, you and your friends will create your own story together. You could even play the same letter with different groups of players and it would result in a different story.

Letters have Goal Words.
Each letter has a list of words and phrases called Goal Words. As you play the game and tell the story of your pilgrims, you will use Goal Words in that story. Your goal is to use all the Goal Words in your story before a player gets eight stones. (You can see more about how to play in the basic rules.

There are eight kinds of trouble.
When you browse through the letters, you will see some symbols on each one. The symbols stand for a particular kinds of trouble your Pilgrim might find on this world. Use these symbols as rating system, so you can tell whether this subject matter is appropriate or fun for the group.

Book represents affairs of tradition, law and custom. These are troubles involving tradition and laws. There may be times when your Pilgrim acts against accepted norms, either by defying a cultural taboo or outright criminal intent. Expect encounters with local authorities. Arrest is the most common and immediate trouble.

Example: Fed up with the local governors, Pilgrim Anointed Tree declares herself new emperor of this world. Suddenly, Pilgrim Anointed Tree is whisked away to the “special jail” for “special criminals.

Flag troubles involve relationships and politics between nations, towns or whole worlds and empires. Worldly diplomacy impacts large groups of people, usually ruled by some kind of noble. Pilgrims’ meddlesome irreverence makes them quite infamous among the ruling elite. Pilgrims are only tolerated if their unorthodox methods work in the nobles’ favor. Well-intentioned Pilgrims may accidentally instigate border disputes, break treaties, and spread rumors.

Example: In dark of night, Pilgrim Electric Glass flies to the demilitarized zone between Cobar Province and Five-Peak City to parley between the generals. Unfortunately, both sides mistake her flashing static charge as a signal-flare for surrender.

Heart troubles in which your Pilgrim is in love or is involved in worldly love lives. Love is a delicious problem. Sometimes the “trouble” with love is that it is forbidden by some cultural taboo. More often, the trouble is the other emotions that might come with the romance, including jealousy, attachment, and vulnerability. Your Pilgrim may find herself falling in love with a worldly person, or vice versa, which is definitely a distraction from her duties.

Example: Struck by her thorough understanding of philosophical treatises, Pilgrim Sage Hook falls in love with Xieu. The only problem is that she’s already betrothed to the prince of this world.

Knot troubles are anything involving families and their peculiar manner of getting on each other’s nerves. Family connects people across the universe, like invisible strings waiting to ensnare an errant Pilgrim. Tread around family affairs lightly. A cunning word can’t erase years of bad blood between rival heirs. A swift kick can’t sweep away tension between a stepparent and her new child. Pilgrims sometimes get personally involved in family troubles when they are mistaken for long-lost sons and daughters.

Example: Pilgrim Witty Pen cheers up a sick child by writing a funny poem about being raised by wolves. Rumor spreads that she is one of the long-lost wolf-people who left this world long ago, promising to return with new medicines.

Lotus troubles in which the Pilgrims interact with gods or their followers. The gods embody aspects of the human condition, yet are endowed with superhuman abilities. This is a volatile mixture of insecurity and power. Gods break promises, and then direct their flock’s rage against another god’s people. They can cause wars, famine and demand devotion. Their moods are fickle and can be enraged at impropriety. Unfortunate pilgrims have been cursed, turned into toads and otherwise just been messed up.

Example: The arrogant Pilgrim Glorious Rose comfortably assumes the title and duties as figurehead of the local religion. Angry at the pilgrim’s insolence, Thaderelius, local god of vengeance and wine, floods the world in grape juice.

Pen troubles are generally academic or investigative. These troubles are a challenge to the mind, testing a Pilgrim’s ability to deduce the root of a worldly problem. Your Pilgrim may find herself wrapped up in a labyrinthine mystery, uncovering dangerous secrets. A Pilgrim might also be forced to hide from scrutiny, trying to keep a secret. Pen troubles may also be distracting tests of mental agility, like puzzle rooms and riddles.

Example: Pilgrim Diving Banister discovers a conspiracy is afoot when she notices a false bookcase along the wall. The bookcase falls forward and a rush of wind sucks her into a room full of mathematical puzzles.

Sword troubles involve warfare, violence and weaponry. These troubles are the most straightforward, but carry the worst consequences. When punches are thrown, a Pilgrim failed to keep the peace. A Pilgrim should solve problems without violence, but all are trained to use their flying talents to defend themselves and escape danger if necessary. Still, sky ships, nets, weights or other contraptions may overcome the best flyers. Even the threat of violence may be troublesome enough.

Example: Pilgrim Limber Brush deftly strides into battle, acrobatically dodging the hundreds of spears lobbed at her. That is, until she realizes those spears actually formed a cage, leaving her trapped and unable to fly away.

Tree troubles have the environment itself challenging the Pilgrim. A Pilgrim could be caught in a dangerous storm, hunted by wild animals or disoriented after being puffed by a strange mushroom. These troubles also manifest as spirits, embodying aspects of the natural world. Using nature spirits in your story lets you turn the environment into a worldly character with whom your pilgrim can interact.

Example: Pilgrim Bookish Scrolls has a dozen different nature spirit languages in his supply of scrolls, so begins the negotiation with the river spirit. Unfortunately, this is technically a spirit of tributaries and is offended by the association with those degenerate river spirits.

Here are some letters that you might like to use in your game.

  • “Swallowed Whole” by Ben Lehman
    [ Flag | Tree ]
  • “Excessive Elves” by Peter Aronson
    [ Book | Tree | Lotus ]
  • “Worlds Collide” by Colin Fredericks
    [ Flag | Tree ]
  • “Is it Safe to Allow Cabbages on Roller Coasters?” by Peter Aronson
    [ Sword | Pen | Flag ]
  • “Once Upon a Time” by Peter Aronson
    [ Knot | Pen | Flag ]
  • “Spun of Crystal and Gold” by Sophie Lagacé
    [ Knot | Sword | Pen ]

Pebble Rebel is out of the lab!

Pebble Rebel
I’m happy to announce that Pebble Rebel is out of the lab. Pebble Rebel is a two-player strategy game where each player has very different goals, but still get in each other’s way. Check it out here.

» Official rules for Pebble Rebel

[Embargo] App for Android Beta (0.9)

Mark Sherry demos the latest version of the Embargo Beta for Android.

qrcode
» Download: Embargo 0.9

  • Proper support for smaller (and larger) screens.
  • Easier to select stones near the edges.
  • Unlimited undo and redo.
  • Undo no longer bound to the Back button. Instead, use the Menu button to access undo and redo.

After Mark gets back from vacation, we’re going to try out a 8×8 or 7×7 board to make it easier to select your stones and make your moves. For now you have to press very firmly to get your presses to register.

Free Painted Mural Textures

My wife says these look like the Martian skies in an old pulp paperback cover. Just one idea for how you can use these high-res textures in your projects.

» Download: Free texture set on Flickr
» Released under Creative Commons attribution 2.0 generic license.

The Leftovers


The Leftovers is a slapstick fantasy storytelling game. You tell the story of The Leftovers, the unlikely surviving lackeys of an ill-fated adventuring party. Stuck in the middle of a dungeon, The Leftovers must find their way out room by room and avoid The Monster at all costs. With luck, and the sheer power of cowardice, they just might make it out alive. Remember: Never fight The Monster. That’s a sure way to a glorious hero’s death – And these guys are not the heroes.

» Illustrations courtesy of Crazyred.
» Lots of ideas and help from Adam Dray
» Development Status: Beta, Slightly Tested.

What You Need to Play
10-15 Robot Dice

  • These are special dice first used in Happy Birthday, Robot! They have two blank sides, two sides saying AND and two sides saying BUT. You can substitute with regular six-sided dice or Fudge dice.

Several tokens or chips
A Pencil or Pen
A Dungeon Map

  • The Spleen
  • The Pit
  • The Bunnies’ Burrow
  • The Room of Spiky Things

A Leftover character for each player, with a name like:

  • Step
  • Clik
  • Ohno
  • Aagh

Storyteller and Allies
When it is your turn, you are called the Storyteller. The players to your left and right are called your Allies. As a Storyteller, you begin a sentence about your character. The Ally on your Right continues that sentence. The Ally on your Left concludes that sentence.

Turn Order
The youngest player takes the first turn as Storyteller. Turns continue clockwise around the table.

How To Play
Step 1: Push Your Luck
Roll up to three robot dice at a time as many times as you want. Keep any BLANKs. Pass any ANDs to the ally on your right. Pass any BUTs to the ally on your left. If either the ally on your right or left get four or more dice, this is called busting. If you busted this roll, see the section titled “The Monster.” For now, let’s see what happens if you don’t bust.

Example: You roll three dice and get BLANK, BLANK, AND. Great. You decide to roll again and get BLANK, AND, BUT. That gives you three BLANKs. The ally on your right has two ANDs. The ally on your left has one BUT. You decide not to push your luck any further and continue to the next step.

Step 2: Begin a Sentence
Write a sentence on the map. This sentence describes your character moving through this section of the dungeon with extreme caution. Some would say cowardice. But then again, your character is one of the lucky survivors, so a little paranoia is understandable.

As you write this sentence, remember that The Leftovers never fight The Monster. They run, hide, distract and do everything possible to avoid The Monster. Other creatures may make an appearance in the map, but these creatures are not The Monster.

Anyhoo, you can write one word for each BLANK you rolled. You can use your character’s name as a free word, if you wish. When you write on the map, write one word in each space.

Example: You have three BLANKs, so you write three words on the map, plus your character’s name, Pudd. Yes, Pudd. You write: “Pudd flings his torch”

Step 3: The ally on your right continues the sentence.
The ally on your right continues the sentence you just began. Usually she’ll add some small details about what else your character is doing. Remember again, Leftovers do not fight The Monster.

She can write one word for each AND you rolled. She can use the word “and” as a free word, if she wishes.

Example: The ally on your right has two ANDs, so she has two words to continue the sentence. She also has the free word “and” at her disposal. She continues: “Pudd flings his torch and peeks inside.”

Step 4: The ally on your left ends the sentence.
The ally on your left ends the sentence. Usually this is some complication or funny punchline to what you and the other player have written so far. This complication like slipping on a puddle of slime or creating a lot of noise while trying to sneak. Your ally may mention The Monster, but it’s best to keep these complications focused on low-stakes slapstick or some minor creature living in this part of the dungeon.

He can write one word for each BUT you rolled. He can use the word “but” as a free word, if he wishes.

Example: The ally on your left has just one BUT, so he only has one word to add to the story. He also has the free word “but.” He writes: “Pudd flings his torch and peeks inside but flinches.”

Step 5: Collect Tokens
For every word you wrote from a BLANK die roll, collect one token. Each token you possess gives you a free word when you begin a sentence. This bonus does not apply when you are continuing or concluding someone else’s sentence. Also, you do not collect tokens for using free words.

Example: You rolled three BLANKs and wrote three words to begin your sentence. So, you get three tokens. Hooray! Next time you begin a sentence, you’ll get three free words.

You may also give tokens to other players, which may become necessary so you can buy time for the group to get out of this map. (See “Endgame” for more about what happens when you collect too many tokens.)

Example: At a later point in the game, you decide to give a token to another player as she begins her sentence. She can now say one more free word.

Your turn is now complete. Everyone returns their dice to the pool and the ally on your left begins a new sentence starting from step 1.

Filled-In Words
Occasionally you will come across spaces that are already filled in. When you come across these spaces, try to work the word into the sentence you are writing. If you do so, they will prove useful later.

Pink Words
These are words describing useful items that you might discover in the dungeon, like provisions and tools. Unfortunately, these scrounged-up belongings rarely have much life left in them.

You can use a pink word as a free word when you are beginning a sentence. The drawback is that pink words can only be used as a free word once. Fortunately, they can be carried over into future maps.

Example: You’re writing for the character named Crud. As you plan your sentence, you see a pink word already written in a space. That word is “food,” so you write “Crud finds food.” So, at some point in the future, you can use “food” as a free word.

Black Words
These are words describing obstacles or other aspects of the dungeon. They all generally follow a theme for that particular map. The Spleen has lots of slimy stuff, the Pit draws on volcanic imagery, and so on.

You can use a black word as a free word for the rest of the game in any situation (whether you are beginning, continuing or concluding the sentence). You can only use it once in a sentence and you only have it available to you in this map. Once you are out (if you can make it out), you cannot use these free words in another map.

Example: Another player is concluding this sentence. He sees the word “slime” in a space ahead. He concludes the sentence: “Crud finds food in a pool of slime.” So, for as long as The Leftovers are on this map, he can use “slime” in a sentence as a free word.

If you cannot use a filled-in word in your sentence, simply cross it out and move on to the next available space. It’s not as good as getting a free word, but at least it jumps you forward one space.

The Monster
If you busted your roll, you and the players next to you will write a sentence just as you would otherwise. However, this sentence will be about The Monster lurking in this map. Follow the same steps as written above, except instead of your character’s name, your free words are “The Monster.” (Those are two words, so they take up two spaces.)

Example: You are rolling for Pudd. After several rolls, you get BLANK, BLANK, BUT, BUT, AND, AND, AND, AND. Aww. That’s four ANDs, meaning you busted the roll. So, this sentence will be about The Monster doing monster-type things like snarling, chasing, stalking, that sort of stuff. Together, you write: “The Monster smells meat and hungers for fresh dinner but is sleeping.”

Also, at the end of your turn, any tokens you would have collected instead go to the Monster.

Example: You rolled wrote two words from the two BLANKs you rolled. So the Monster gets two tokens.

Endgame, or “Why must I be made of meat?”
If a Leftover or the Monster has ten tokens at the end of their turn, the game is over.

If your story does not reach the exit of the map, then your characters perished in a deadly death. Next time you play, you’ll play different characters who may have better luck with the whole “surviving” thing.

If your story reaches the exit, congratulations! You and the other players may continue writing that last sentence as much as your dice will allow. Your Leftovers survived another section of the dungeon. You can play these characters again, along with any pink free words they collected in this map.

Designer’s Notes
In developing Happy Birthday, Robot!, I got to thinking about slight variants on the basic storytelling system. This, like HBR, is mostly an engine for writing short sentences as a part of a larger silly story. There are more spatial tactics here, as you plan out your sentence to pick up items and generally try to write your way out of the dungeon. The essential elements of co-operation and creativity are still here, with a new coat of fantasy paint.

Edits
Replaced “coin” with “token” to make it clear that they always give free words. Because this is based on Happy Birthday, Robot!, it’s easy to assume that the same Heads/Tails coin rules apply. However, that restriction makes getting through the dungeon a little bit too difficult. Note that you still have incentive to share tokens because that will buy more time to write your way out of the dungeon.

[Do] “Excessive Elves”

This is a letter for use in playing Do: Pilgrims of the Flying Temple.

Guys, you got to help us!

We got elves everywhere, and I tell you, they’re driving us all around the bend! And I don’t mean two-foot-tall little cute Christmas elves, either, but the six-foot-tall variety, complete with wise gray eyes, pointed ears, silver hair, billowing cloaks — the whole nine yards.

They showed up on a Monday (which kind of figures, somehow). It was a pretty ordinary Monday with too much traffic, too much work, and not enough coffee or sleep. You know, Monday. Then, they came walking out of every wood on the world at the same time. Except, you know, these guys don’t exactly walk anywhere; they stride or they glide or appear silently, but Heaven forbid they should do anything so ordinary as just walk like normal people.

At first, they just stood around in little clumps, looking calm and all-knowing. Then they started frowning in disapproval at normal stuff, like cars and smokestacks and garbage cans. Then, dear god, they started to share their “wisdom” with us. Like about how we were abusing nature, and that they could “hear” the trees calling out in grief and the grass crying in pain other gruff like that. And if they just kept it to stuff like that, it’d been bad enough. But they didn’t.

They started walking into people’s homes, practically uninvited. Oh, they’d ask first, oh so politely, but they’d do it in a way so formal, old-fashioned and confusing that by the time you’d figured out what they’d said you’d already let them in. And once inside they’d start giving suggestions about everything, and I mean everything. They’d tell you how to rearrange your house to make it look better, they’d tell you what to feed your cat to make her happier, they’d tell you what to teach your kids “to improve their spirits” whatever that meant. And while they’d be doing this, they’d be standing there, drop-dead gorgeous or handsome, looking at you with those ancient, wise gray eyes, expecting you to do just what you said. And if you didn’t, they wouldn’t do anything but look sorrowful and disappointed. But you see, they’re really, really good at that looking sorrowful stuff — they could give guilt causing lessons to my Aunt Matilda, and let me tell you, until these guys came, she was world champ in guilt!

So, most people pretty much started doing whatever the elves ask to avoid those looks. And it be fair, it’s a healthier life you get in return. But it ain’t much fun: all that walking and singing (those elves are real big into singing), no meat, no cigars, no whiskey, no sleeping around, no football, no drag racing, and definitely no fun. It ain’t a big surprise that people are pulling up stakes and moving to other worlds to get away from those pains in the rear. Why last week, my best bud Frank had to go and fix something in his hunting shack in the North Woods (not that anyone hunts “our furred brothers and sisters” any more). While he was out there, he had the bad luck to run into one of the chief elves, meditating out in the woods. Well, before Frank could get away, he had a life and a half’s worth of mystical hooey transmitted directly into his skull and now, this big, tough truck mechanic wanders around town talking to flowers and birds with a really weird smile pasted on his mug. It’s enough to make a man cry into his beer (except all we got to drink now is wine, which while it has a kick, is just spoiled grape juice if you ask me), and Frank’s wife is taking him away to another world to try to get him cured.

You might wonder why we don’t grab our guns and baseball bats and chase these pointy-eared yahoos off of our world. The trouble is, if you try something like that, they just stand there looking noble and long-suffering and stuff and you end up feeling just like a puppy that just piddled on the rug. On the other hand, if things get bad enough and people get desperate enough, then maybe things will get down and dirty. That could be bad too, since these elf boys and girls all have long silvery swords and these curvy bows and I bet they know how to use them. Things would pretty likely get really ugly if things go that way.

So, if you guys could send some pilgrims and get rid of these elves before everyone moves away or things get real violent, we’d appreciate it. I’m going to throw this letter in the trash bin behind O’Malley’s Bar — that’ll get it to you pronto, and those elves wouldn’t look back there in a million years.

Thanks,
Bill Smith

Goal Words
Elf
Elf
Elf
Elves
Elves
Elves
Frank
Frank
Guilt
Nature
Singing
Wisdom
“Aunt Matilda”
“cars and smokestacks”
“frowns in disapproval”
“hear the trees”
“mystical hooey”
“no meat”
“O’ Malley’s Bar”
“our furred brothers and sisters”

[Do] Want to play Do on Skype?


I’m looking for three players to play three sessions of Do: Pilgrims of the Flying Temple over Skype with in the coming weeks. Preferably a weekly series before mid-October.

Some details: I want to kick the tires on the game as-is and get some more material for the Example of Play chapter. In other words, this is not a playtest. Each session should be ~1.5 hours, with the first one probably taking the longest as we get coordinated. If there are enough interested players (and I have enough energy), I can facilitate multiple series at the same time. As I said, I’m looking for more raw material for the Example of Play. More play, more material.

If you’re interested in playing Do with me over Skype, leave a comment here with the days/times you’d be available, your email address, and we can figure out a plan from there.

SageFight T-Shirts!

By Kevin Weiser’s request, here are shirts to show off your support for SageFight.

If you want to make your own merch, here are the vector EPSs and transparent PNGs for your own use. (Creative Commons licensed, as usual.)

» Cafepress: SageFight Logo Shirt
» Download Logos: SageFight-Logos.zip

[Do] Monday Night Group – Episode 2

Actual Play of Do: Pilgrims of the Flying Temple
This is a story created by playing Do: Pilgrims of the Flying Temple.

» Previously, Episode 1

The Pilgrims

Pilgrim Clumsy Glass gets in trouble by stepping on things and helps people by thinking clearly. (Jenn)
World Destiny: 2
Temple Destiny: 2

Pilgrim Loquacious Cookie gets in trouble by talking too much, and helps people using his wide variety of baked goods. (Mark)
World Destiny: 1
Temple Destiny: 3

Pilgrim Bouncing Boot gets in trouble by being knocked around a lot and helps people with his indestructible boots. (Daniel)
World Destiny: 2
Temple Destiny: 2

The Letter

“Excessive Elves” by Peter Aronson

The Story

Pilgrim Clumsy Glass listens to the elves signing incomplete songs and helps them figure out a beautiful melody.

Pilgrim Clumsy Glass steps on the elves’ toes during a solo, accidentally creating an even more catchy and annoying ear worm.

Pilgrim Loquacious Cookie stuffs a scone in Pilgrim Clumsy Glass’s mouth before she can reach the chorus about our furred brothers and sisters.

Pilgrim Loquacious Cookie screams the wrong ending to the song and the lead elf frowns in disapproval at him.

Pilgrim Bouncing Boot blunders into O’Malley’s Bar, putting his boot through a wall exposing the hidden supply of booze to the elves.

Pilgrim Bouncing Boot uses his other indestructible boot as a door stop, keeping the elves from entering the bar and confiscating the secret stash.

Pilgrim Clumsy Glass spits out the scone, grabs Pilgrim Loquacious Cookie and runs away from the Head Elf

Pilgrim Loquacious Cookie hands each of the elves a sample of a highly processed, but sublimely delicious cookie.

As Pilgrim Loquacious Cookie hands out the treats, he talks about how much Frank  is beginning to start looking like an elf, causing the group to rise up in an UPROAR

Pilgrim Bouncing Boot becomes a courier for the humans, smuggling out bottles of beer past the elves.

Pilgrim Bouncing Boot spills some bottles of beer, enraging the elves as the beer despoils nature.

Pilgrim Clumsy Glass steps on a twig and can hear the trees swear at her.

The elves begin to use their Wisdom to start turning Pilgrim Loquacious Cookie into an ELF!

Pilgrim Bouncing Boot gestures with his foot at the cars and smokestacks that are the real destroyers of nature, thus redirecting the elves’ anger.

The elves point out that as bad as the cars and smokestacks are, they’re not nearly as bad as the spilled rotgut, which has already killed a six foot circle of vegetation.

Pilgrim Clumsy Glass notices the six foot circle of death grow towards the scary trees and jumps away from the impending doom

Pilgrim Loquacious Cookie takes a bite of a mass-produced, preservative-laden cookie, which shocks his mind free of the elves’ spell.

Pilgrim Bouncing Boot digs a protective trough with his boot around the expanding circle of dead vegetation.

Aunt Matilda starts screaming at Pilgrim Bouncing Boot, who just dug the trough through her garden plot of prize petunias.

Pilgrim Clumsy Glass cries out “You are just upset you have no meat woman!” and grabs Pilgrim Bouncing Boot’s arm to run away

Pilgrim Clumsy Glass steps on Frank’s toe during the escape, breaking him from his spell and angering the sword-bearing elves.

Pilgrim Loquacious Cookie blocks the sword of one of the elves using an exceptionally stale baguette.

All the elf guards turn towards Pilgrim Loquacious Cookie as he screams out that their swords are made of mystical hooey!

Pilgrim Bouncing Boot swings his indestructible boot by the laces like a nunchuk, destroying the elves’ swords in a dramatic flourish.

Epilogue

The elves whip out their curvy bows and start chasing the Pilgrims and Frank away

The humans seize on the elves’ partial disarmament and start attacking the elves.

As Pilgrim Bouncing Boot lies away, dodging the thrown bottles and smoke bombs, he wishes he kept a bottle of that good beer.

New Names

Pilgrim Clumsy Mirror gets into trouble by falling down on things and helps people by creating an illusion. (Jenn)
World Destiny: 6
Temple Destiny: 6

Pilgrim Pugnacious Cookie gets into trouble by picking fights, and helps them with his selection of tasty baked goods. (Mark)
World Destiny: 5
Temple Destiny: 6

Pilgrim Revolting Boot gets in trouble by rousing rabble and helps people with his indestructible boots. (Daniel)
World Destiny: 7
Temple Destiny: 6

Reminder: Quantum of Solis 2010

On Friday, November 5, let’s all get a big table at Tyler’s Taproom at around 7pm. We’ll have some food, drinks, laughs and maybe some gaming if we’re not too beat.

Looks like we have at least five or six people who have RSVPed. If you’re coming, leave a comment on the original post.

SageFight


SageFight is a dance-like game for three or more people. It’s fun to do in a playground or park. You don’t need any special equipment besides your body and a willingness to look silly. You can find out more about SageFight on the official Sagefight website.

SageFight: Melee

Rule 1: You have to tell everyone about SageFight. More people make it more fun. One way to do this is to document your SageFights – in photos, videos or text – and share them with others.

Rule 2: At the beginning of a SageFight, everyone gets around in a circle at arm’s length from each other. It’s best to have everyone’s hands overlap a little bit.

Rule 3: Take your most awesome martial arts stance. Do not move.

Rule 4: A time keeper will give a signal at regular intervals, either by calling it out or clapping. Think of it like a metronome. We like to use the stomp-stomp-clap from Queen’s “We Will Rock You.”

Rule 5: On the signal, you switch to another stance, but must keep your balance and must not move after switching your stance. When you switch your stance, you can move your arms, torso, head and/or one foot. The other foot remains rooted in place. A well-executed SageFight has each SageFighter flowing between a series of stable, static poses.

Goal: Try to tap another SageFighter hand with the palm-side of your hand. If your hand is hit, you are out. If your palm touches someone else’s palm, you’re both out. If you are the last person standing, you win SAGEFIGHT!

SageFight: Clan vs. Clan

When you have a large enough group of SageFighters, split them up into two rival ninja clans. The two clans line up and face each other in a tense stand-off. Each clan has a MASTER. When the master of a clan gets tapped out, the whole clan loses. Remember: Protect your master!

SageFight: Duel
Also Known As: “Masters without Swords”

Rule 1: Fencers take stances along a straight line. For example, a line of tiles along a hotel lobby floor or the stripes on a basketball court.

Rule 2: Begin by touching arms in a mannerly fashion, like crossing swords.

Rule 3: The timekeeper will tell the fencers to break. Then the fencers take their most awesome fencing pose.

Rule 4: The timekeeper will start keeping a rhythmic beat, just like in regular SAGEFIGHT.

Rule 5: Score one point by touching your opponent’s torso with the palm-side of your hand. If you step off the line or lose your balance, you’re out and your opponent scores one point.

Goal: After scoring a point, stop keeping time, back away, strike a new pose, and start again. Be the first to score 2 points.

There is a lot of jostling and crossing “swords.” You feel very much like a jedi knight.

The SageFight Handshake

RESPECT. TRUST. SAGEFIGHT

Femme Gamer reviews Happy Birthday, Robot!

Femme Gamer posted an overview of gaming-related generosity over the past few months. From the indie game bundle benefiting Doctors Without Borders to the video game bundle benefiting Child’s Play. Auspicious company to say the least! And our little game managed to find a mention!

Back to the tabletop scene, Daniel Solis has been working with donors for his [Happy Birthday, Robot!] game on KickStarter It’s a brilliant idea! Again, donors can contribute to see the game published and receive special perks depending on the level of their donation. However, Daniel took it one step further. He decided to donate copies of [Happy Birthday, Robot!], to different gaming organizations, schools, and libraries across the world, because his original goal was exceeded very quickly. Once the book is published, he will be donating 3 books to the organization Kids Need to Game . He will also be spending copies of the book to ten different libraries and schools to help foster role-playing and storytelling in the classroom. This entire project has been backed by generous gamers across the world, and thanks to them as well as Daniel, students will be given the chance to play this game in their classroom.

Thanks for the post, Cassie!

[Do] Saturday Night Group – Episode 1

Actual Play of Do: Pilgrims of the Flying Temple
This is a story created by playing Do: Pilgrims of the Flying Temple.

The Pilgrims

Pilgrim Delicate Brick gets in trouble by being frail and helps people by build stronger relationships. (Written by Matt)
World Destiny: 0
Temple Destiny: 0

Pilgrim Red Shirt gets in trouble by having a bad temper and helps people by drawing away danger. (Written by Daniel)
World Destiny: 0
Temple Destiny: 0

Pilgrim Marvelous Mollusk gets in trouble by being overly-dramatic and overdoing things and helps people by polishing things up. (Written by Raven)
World Destiny: 0
Temple Destiny: 0

The Letter

“Swallowed Whole” by Ben Lehman

The Story

While the whale remains startled from Mollusk’s approach, pilgrim Delicate Brick goes down the whale’s blowhole, looking for MELANIE.

The blowhole seems to narrow as pilgrim Delicate Brick crawls down, until finds he can only push his head out to look around inside the WHALE.

Pilgrim Red Shirt draws the whale’s attention away from Pilgrim Marvelous Mollusk and calms it down.

Pilgrim Red Shirt succeeds too well at getting the whale’s attention, and the whale decides he is another tasty morsel and EATs him!

Pilgrim Marvellous Mollusk gets the whale to spit out pilgrim Red Shirt because (and reveal with a flourish) he has a giant plate of the most incredible COOKIES ever baked!

Because they are the most delicious cookies, the whale swallows Pilgrim Marvelous Mollusk and he crashes into the Melanie’s trees.

Stuck in the whale’s blowhole, pilgrim Delicate Brick strains and strains until POP! he goes flying out of the blowhole and lands on some…trees?!?

In the branches of the trees, Pilgrim Delicate Brick finds himself facing a vicious, hissing CAT that he most certainly can’t defend himself against!

Pilgrim Red Shirt flies to the Pilgrim Delicate Brick’s rescue, catching Melanie’s cat as it leaps at him!

Unfortunately, trying to fight with an angry cat and flying at the same time sends Pilgrim Red Shirt careening towards the HOUSE!

Epilogue

Pilgrim Marvelous Mollusk dusts himself off and floats down to the ground as the whale burps from the cookies, and out pops Melanie’s planet.

Pilgrim Delicate Brick negotiates between the whale and Melanie, so that the whale will protect her and her planet (and cat and trees), in exchange for more cookies.

Upon returning her cat, Pilgrim Red Shirt suggests that the whale protect her world from anything else that would try to eat it.

New Names

Pilgrim Delicious Shirt gets in trouble because he looks like food and helps people by drawing away danger. (Daniel)
World Destiny: 2
Temple Destiny: 2

Pilgrim Marvelous Candy gets in trouble by overdoing things and helps people by baking treats. (Raven)
World Destiny: 0
Temple Destiny: 2

Pilgrim Reckless Brick gets into trouble because he can’t control where he’s going and helps people by building stronger relationships. (Matt)
World Destiny: 2
Temple Destiny: 1

Notes

This is the last of the first episodes for any of the groups. From here on out, each group chooses their own letters to answer and thus choose the direction of their journey.

Looking back at how the different groups approached this letter, I can say with some certainty that I the whale’s blowhole is about as well protected as a Death Star exhaust vent. Dude needs to watch that orifice better. 😛

Game Ideas

I’ll occasionally post random game ideas on my Twitter. This is a collection of some of the most recent ideas over the past several months. Some of these may become full games, some not. This is just a sample of where my brain wanders.

  • Idea: Lowering the coin trigger in HBR and adding a story goals before deadline might encourage more coin-sharing.
  • RPG Idea: Each player says “I’m in love with ___.” Then plays a character another player just described. Makes a quick relationship web.
  • Idea: Draw two clauses. Choose one. Unchosen clause gets +1 point.
  • Idea: Index cards, each w/ a clause. Split deck. On yr turn, reveal top card of both decks. Choose one. Unchosen card remains, gets +1 VP.
  • Possible add-on to previous idea: Target Number is whatever you rolled last. Ex: Roll 17 on 3d6? Cool, but that’s your TN for your next roll
  • Idea: Dice pool. Target number. Roll over: Gain Resource A. Under: Gain B. Endgame Trigger: A or B over X. Any emergent behaviors? Hm…
  • Idea: RPG starts w/ blank protagonists+setting. Play defines Aspects for both/either. Exploration+definition instead of conflict resolution.
  • Idea: Chess-like game. Use any object as game piece as long as it fits in a board square. Mechanics based on width/height?
  • Idea: Long scarf made of smaller scarves tied together. Each scarf-bit is like a merit badge. Wearable character sheet? Randomizer somehow?
  • Game Idea: RPG: Actions phrased in who, what, where, when, why, how terms. Some of these are random d6, some not. (Idle Wildlings thoughts.)
  • [Game Idea] Reiner Knizia dice pool + ORE. Roll xd6. Gain action points equal to lowest result, but all results feed into long-term engine.
  • Game Idea: Players give each other chips in small boxes. Game involves guessing how many chips you received vs. how many you really got.